圣歌的英文名-圣歌的英文

1、英语歌词

Dashing through the snow

In a one-horse open sleigh,

Over the fields we go,

Laughing all the way;

Bells on bob-tail ring,

making spirits bright,

What fun it is to ride and sing

A sleighing song tonight, O

Jingle bells, jingle bells,

jingle all the way!

O what fun it is to ride

In a one-horse open sleigh [repeat]

Now the ground is white

Go it while youre young,

Take the girls tonight

And sing this sleighing song;

Just get a bob-tailed bay

two-forty as his speed

Hitch him to an open sleigh

And crack! Youll take the lead

Jingle Bells, Jingle Bells,

Jingle all the way!

O what fun it is to ride

In a one-horse open sleigh. [repeat]

Hey, Jingle Bells, Jingle Bells,

Jingle jingle all the way!

O what fun it is to ride

In a one-horse open sleigh.

Jingle Bells, Jingle Bells,

Jingle jingle all the way!

O what fun it is to ride

In a one-horse open sleigh.

Jingle bells, jingle all the way!

O what fun it is to ride

In a one-horse open sleigh.

Jingle bells, jingle all the way!

O what fun it is to ride

In a one-horse open sleigh.

Im just crazy about horses

2、圣诞歌中文版歌词

冲破大风雪

我们坐在雪橇上

快奔驰到田野

我们欢笑又歌唱

马儿铃儿响丁当

令人精神多欢畅

我们今晚滑雪真快乐

把滑雪歌儿唱

叮叮当

叮叮当

铃儿响叮当

今晚滑雪多快乐

我们坐在雪橇上

叮叮当

叮叮当

铃儿响叮当

今晚滑雪多快乐

我们坐在雪橇上

在一两天之前

我想出外去游荡

那位美丽的小姑娘

她坐在我身旁

那马儿瘦又老

它命运不吉祥

把雪橇撞进泥塘里

害得我们遭了秧

叮叮当

叮叮当

铃儿响叮当

今晚滑雪多快乐

我们坐在雪橇上

叮叮当

叮叮当

铃儿响叮当

今晚滑雪多快乐

我们坐在雪橇上

如今白雪遍地

趁着年轻好时光

带上心爱的朋友

把滑雪歌儿唱

有一匹栗色马

它日行千里长

我们把它套在雪橇上

就飞奔向前方

叮叮当

叮叮当

铃儿响叮当

今晚滑雪多快乐

我们坐在雪橇上

叮叮当

叮叮当

铃儿响叮当

今晚滑雪多快乐

我们坐在雪橇上

求一首英文歌…圣歌

圣诞歌《merry christmas》是玛丽亚·凯莉的第四张录音室专辑，也是其首张圣诞专辑。

《merry christmas》是由华特·亚凡瑟夫、玛丽亚·凯莉、路易斯·霍兰德制作，标准版收录10首歌曲，国际版收录11首歌曲，于1994年11月1日通过哥伦比亚唱片公司发行。截至2021年专辑《Merry Christmas》的全球销量已经超过1500万张，是历史上销量最高的圣诞专辑。

专辑收录曲《All I Want for Christmas Is You》在流媒体平台的发展、音乐市场技术变革和西方民众庆祝圣诞意愿强烈的时代大背景下，凭借歌曲本身出众的质量，歌手的演唱实力和合适的宣传手段，已经成为圣诞节的标志，玛丽亚·凯莉也因这首歌被西方社会视为圣诞女皇。

专辑鉴赏

它的开头节奏缓慢，仅有打击乐、教堂铃声和玛丽亚·凯莉华丽的转音，随着歌曲加快速度，具有节庆效果的乐器和音乐元素，分别是背景和声、钟声、铃铛、雪橇声、钢琴一一加入，为听众提供了源源不断的愉悦感受。这首歌与90年代流行曲惯用的主歌副歌交叉结构不同，采用的是20世纪40、50年代流行的AABA结构。

《Miss You Most 》和《Jesus Born on This Day》是专辑的另外两首原创曲，前者是一首标准的90年代R&B抒情曲，虽然只有简单的钢琴与弦乐作为铺垫，但对于听者心灵的撞击是无法抵抗的。后者和专辑中的《Jesus Oh What a Wonderful Child》、《O Holy Night》都是标准的福音风格歌曲，这些歌曲展示了玛丽亚·凯莉强大的歌唱天赋。

以上内容参考：百度百科—《Merry Christmas》

圣诞歌 英文歌词

Tears

演唱:苏灿辉

ha yan biol bi qi i ga man o du mi

jo maol ri so nal mi lo nei go i jio

hua nan mi so ro ku dei reul ba ra man ba do

nan i ron kei jia gu man mo lo jio ga yo

ku dei rol bu reu mion ku dei reul qia jeu mion

ba ra mi tui yo so nei gio tei wa jio yo

a mu do mo reu gei a na ju sei yo

nei ga ku dei reul neu gil su i do ro

ku dein keu ron kei on je na nei gio tei

pa ran ha neu li keu deil mul deu lin go jio

nei sa rang eul a la bo ri gi jio nei

ral bo mio seul po ma la yo

nei mam nun mu re eui mi reu lan da mion

ku dei do i je wu seul su ga i so yo

ku dei reul bu reu mion ku dei reul qia jeu mion

hei sa li dui o so nei gio tei wa jo yo

ha nan mi so ro nal bi qio ju se yo

nei ga ku dei reul neu gil su ob so do

ku dein ku ron kei on jian na nei gio tei

Love na ye i no rei ga yon wan han

na ye ba reim deul qo rom

ku dei ye gei do deul ri na yo

yi ron kei su ma neun qu o geul nam gi go

o ji nan ku dei man sein ga ka neun dei

ku dei reul bu reu mion ku dei reul qia jeu mion

bi mu ri dui yo so nei gio tei wa jio yo

wu san so nei ge so sa gio ju sei yo

ku dei reul nei ga do sa rang hein da go

ku rei so nei ga do a peu da go

LALALALALALA LALALALALALALA

LALALALALALA LALALALALALALA

o do kei hei ya qon nal su yi na yo

ku deil qiong mal sa rang han dei ma eu meul

i jein o do kei na ye i sa rang eul

go gi yi so yo ji geum keu dei ro

ku sa rang eu li jein neun nei ga

谁能帮忙找点古典音乐资料 要英文的

圣诞歌的歌曲有很多，最著名的就是Jingle Bells，基本上在公共场合圣诞时放的都是这首歌，下面是他的歌词：

（1）Dashing through the snow

On a one-horse open sleigh

Over the fields we go

Laughing all the way

Bells on bob-tail ring

making spirits bright

What fun it is to ride and sing

A sleighing song tonight

（2）Jingle bells, Jingle Bells

jingle all the way

Oh what fun it is to ride

In a one-horse open sleigh

Jingle Bells, Jingle Bells

Jingle all the way

Oh what fun it is to ride

In a one horse open sleigh

（3）A day or two ago

I thought I’d take a ride

And soon Miss Fanny Bright

Was seated by my side

The horse was lean and lank

Misfortune seemed his lot

He got into a drifted bank

And we, we got upsot

Jingle Bells, Jingle Bells

Jingle all the way

Oh What fun it is to ride

In a one-horse open sleigh

Jingle Bells, Jingle Bells

Jingle all the way

Oh what fun it is to ride

In a one horse open sleigh

与圣诞节相关的英语词汇

History of Classical Music

Medieval (c.1150 - c.1400)

This is the first period where we can begin to be fairly certain as to how a great deal of the music which has survived actually sounded. The earliest written secular music dates from the 12th century troubadours (in the form of virelais, estampies, ballades etc.), but most notated manuscripts emanate from places of learning usually connected with the church, and therefore inevitably have a religious basis.

Gregorian chant and plainsong which are monodic (i.e. written as one musical line) gradually developed during the 11th to 13th centuries into organum (i.e. two or three lines moving simultaneously but independently, therefore almost inadvertently representing the beginnings of harmony). Organum was, however, initially rather stifled by rigid rules governing melody and rhythm, which led ultimately to the so-called Ars Nova period of the 14th century, principally represented by the composers de Vitry, Machaut, and Landini.

Recommended Recording:

Adorate Deum: Gregorian Chant from the Proper of the Mass Nova Schola Gregoriana

Naxos 8.550711

Renaissance (c.1400 - c.1600)

The fifteenth century witnessed vastly increased freedoms, most particularly in terms of what is actually perceived as 'harmony' and 'polyphony' (the simultaneous movement of two or three interrelated parts). Composers (although they were barely perceived as such) were still almost entirely devoted to choral writing, and the few instrumental compositions which have survived often create the impression (in many cases entirely accurately) of being vocal works in disguise, but minus the words.

There is obvious new delight in textural variety and contrast, so that, for example, a particular section of text might be enhanced by a vocal part dropping out momentarily, only to return again at a special moment of emphasis. The four most influential composers of the fifteenth century were Dunstable, Ockeghem, Despres and Dufay.

The second half of the 16th century witnessed the beginnings of the tradition which many music lovers readily associate with the normal feel of 'classical' music. Gradually, composers moved away from the modal system of harmony which had predominated for over 300 years (and still sounds somewhat archaic to some modern ears), towards the organisation of their work into major and minor scales, thereby imparting the strong sensation of each piece having a definite tonal centre or 'key'.

This was also something of a golden period for choral composition as a seemingly endless flow of a capella (unaccompanied) masses, motets, anthems, psalms and madrigals flowed from the pens of the masters of the age. In addition, instrumental music came into its own for the first time, especially keyboard music in the form of fantasias, variations, and dance movements (galliards, pavanes etc.). Composers of particular note include Dowland, Tallis, Byrd, Gibbons, Frescobaldi, Palestrina, Victoria, Lassus, Lobo, Cardoso and Gesualdo.

历史上的古典音乐

Medieval (c.1150 - c.1400) 中世纪（ c.1150 -c .1400）

This is the first period where we can begin to be fairly certain as to how a great deal of the music which has survived actually sounded.这是第一期，我们已可开始得到相当肯定至于如何了大量的音乐，其中已存活实际上响起。 The earliest written secular music dates from the 12th century troubadours (in the form of virelais, estampies, ballades etc.), but most notated manuscripts emanate from places of learning usually connected with the church, and therefore inevitably have a religious basis.最早写世俗音乐的日期从12世纪troubadours （形式virelais ， estampies ， ballades等） ，但大多数人notated手稿来自地方的学习通常是与教会，因此，不可避免地有一个以宗教为基础。

Gregorian chant and plainsong which are monodic (i.e. written as one musical line) gradually developed during the 11th to 13th centuries into organum (i.e. two or three lines moving simultaneously but independently, therefore almost inadvertently representing the beginnings of harmony).格里高利高唱和plainsong是monodic （即笔试和一所音乐系） ，逐步发展，在11日至十三世纪到organum （即两个或三个动线，同时但独立的，所以几乎在不经意代表的开端和谐） 。 Organum was, however, initially rather stifled by rigid rules governing melody and rhythm, which led ultimately to the so-called Ars Nova period of the 14th century, principally represented by the composers de Vitry, Machaut , and Landini . organum不过，当时的初期，而不是扼杀刚性规则的旋律和节奏，从而导致最终的目的是要以所谓人工鱼礁新的时期， 14世纪，主要是由作曲家德vitry ， 马豪 ， landini 。

Recommended Recording: 推荐唱片：

Adorate Deum: Gregorian Chant from the Proper of the Mass Nova Schola Gregoriana adorate deum ：阳历高唱从适当的大众新schola gregoriana

Naxos 8.550711 商Naxos 8.550711

Renaissance (c.1400 - c.1600) 文艺复兴（ c.1400 -c .1600）

The fifteenth century witnessed vastly increased freedoms, most particularly in terms of what is actually perceived as 'harmony' and 'polyphony' (the simultaneous movement of two or three interrelated parts). 15世纪见证了大大增加了自由，最特别是在什么样的，其实是被视为'和谐'和'复调' （同步运动的两个或三个相互联系的部分） 。 Composers (although they were barely perceived as such) were still almost entirely devoted to choral writing, and the few instrumental compositions which have survived often create the impression (in many cases entirely accurately) of being vocal works in disguise, but minus the words.作曲家（虽然他们都是勉强的感觉是这样的）仍在几乎完全致力于合唱写作，少数乐器组成，其中有存活往往造成一种印象， （在许多情况下完全准确）的正声乐作品在乔装打扮，但减去的话。

There is obvious new delight in textural variety and contrast, so that, for example, a particular section of text might be enhanced by a vocal part dropping out momentarily, only to return again at a special moment of emphasis.有明显的新喜悦，在质地品种和反差，因此，举例来说，某一特定文本中的一段可能得到加强声乐部分辍学的瞬间，只有回到一个多星期，又特殊的时刻重视。 The four most influential composers of the fifteenth century were Dunstable, Ockeghem, Despres and Dufay.四个最有影响力的作曲家15世纪被dunstable ， ockeghem ， Despres ）虽然与杜费。

The second half of the 16th century witnessed the beginnings of the tradition which many music lovers readily associate with the normal feel of 'classical' music.下半年， 16世纪见证了开端的传统，其中许多音乐爱好者很容易联想与正常的感觉'经典'的音乐。 Gradually, composers moved away from the modal system of harmony which had predominated for over 300 years (and still sounds somewhat archaic to some modern ears), towards the organisation of their work into major and minor scales, thereby imparting the strong sensation of each piece having a definite tonal centre or 'key'.渐渐地，作曲家迁离模态系统的和谐，其中占主导地位，为300多年前（和现在听起来有点过时的一些现代耳） ，对组织，其工作分为主要和次要的鳞片，从而传授强烈的感觉：每块有明确音调中心或'关键' 。

This was also something of a golden period for choral composition as a seemingly endless flow of a capella (unaccompanied) masses, motets, anthems, psalms and madrigals flowed from the pens of the masters of the age.这也是东西的一个黄金时期，合唱组成似乎永无休止的流一capella （举目无亲）群众， motets ，国歌，圣歌和madrigals流到从钢笔的主人的年龄。 In addition, instrumental music came into its own for the first time, especially keyboard music in the form of fantasias, variations, and dance movements (galliards, pavanes etc.).此外，器乐开始自成体系，为第一次，特别是键盘音乐的形式fantasias ，变异，舞蹈动作（ galliards ， pavanes等） 。 Composers of particular note include Dowland, Tallis, Byrd, Gibbons, Frescobaldi, Palestrina, Victoria, Lassus, Lobo, Cardoso and Gesualdo.作曲家特别值得注意的包括道兰，合唱团，伯德，长臂猿，弗雷斯科巴尔迪， palestrina ，维多利亚， lassus ，罗保后，卡多佐和gesualdo 。

Recommended Recording: 推荐唱片：

Byrd: Mass for Four Voices; Mass for Five Voices; Infelix ego伯德：质量为四个声音;大规模五声音; infelix自我

Naxos 8.550574 商Naxos 8.550574

Palestrina: Missa Papae Marcelli; Missa aeterna Christi munera palestrina ：弥撒曲" papae marcelli ;弥撒曲"依特钠基督教munera

Naxos 8.550573 商Naxos 8.550573

Palestrina: Missa hodie Christus natus est; Hodie Christus natus est; Stabat mater / Lassus: Missa bell' amfitrit' altera palestrina ：弥撒曲"为今天基督natus预测;遭受今天基督natus预测; stabat材料/ lassus ：弥撒曲"钟' amfitrit ' Altera公司

Naxos 8.550836 商Naxos 8.550836

Victoria: Missa O magnum mysterium; Missa O quam gloriosum / A. Lobo: Versa est in luctum维多利亚：弥撒曲" o马格兰神秘;弥撒曲" o怎么gloriosum /甲罗保：反之亦然预测在luctum

Naxos 8.550575 商Naxos 8.550575

Lobo: Missa pro defunctis / Cardoso: Missa pro defunctis罗保：弥撒曲"亲defunctis /卡多佐：弥撒曲"亲defunctis

Naxos 8.550682 商Naxos 8.550682

Lamentations悲叹

Music by Tallis, White, Palestrina, Lassus and de Brito音乐由合唱团，白， palestrina ， lassus和德布里托

Naxos 8.550572 商Naxos 8.550572

Lassus: Missa super entre vous; Infelix ego; Missa imitationem moduli susanne un tour lassus ：弥撒曲"超级登入vous ; infelix自我;弥撒曲" imitationem模苏珊联合国之旅

Naxos 8.550842 商Naxos 8.550842

Tallis: Mass for Four Voices; Motets塔利斯：质量为四个声音; motets

Naxos 8.550576 商Naxos 8.550576

Gesualdo: Sacred Music for Five Voices (Complete) gesualdo ：神圣的音乐为五声音（完整）

Naxos 8.550742 商Naxos 8.550742

Baroque (c.1600 - c.1750) 巴洛克（ c.1600 -c .1750）

During the Baroque period, the foundations were laid for the following 300 or so years of musical expression: the idea of the modern orchestra was born, along with opera (including the overture, prelude, aria, recitative and chorus), the concerto, sonata, and modern cantata.在巴洛克时代，奠定了基础，为下列300年或稍后的音乐表现：构思现代乐团诞生了，随着戏曲（包括序曲，前奏曲，咏叹调， recitative和合唱团） ，协奏曲，奏鸣曲和现代的大合唱。 The rather soft-grained viol string family of the Renaissance was gradually replaced by the bolder violin, viola and cello, the harpsichord was invented, and important advances were made in all instrumental groups.该比较软晶侵犯。弦乐家族的文艺复兴逐渐取代了大胆的小提琴，中提琴和大提琴，古键琴的发明，并取得了重大进展，在所有的乐器组。

Until about 1700, the old modes still exerted themselves from time to time by colouring certain melodic lines or chord progressions, but from the beginning of the 18th century the modern harmonic system based upon the major and minor scales was effectively pan-European.直到大约1700年旧模式仍在竭力不时由填色某些旋律线或弦级数，但是，从十八世纪初，现代谐系统后，主要和次要的尺度是有效的泛欧洲。 Choral music no longer dominated, and as composers turned more and more to writing idiomatic instrumental works for ensembles of increasing colour and variety, so 'classical' music (as opposed to 'popular') gradually began to work its way into the very fabric of society, being played outdoors at dinner parties or special functions (e.g. Handel's Water Music), or as a spectacle in the form of opera.合唱音乐已不再占主导地位，并作为作曲家把越来越多的写作成语器乐作品为合奏增加颜色和品种，使'古典音乐（有别于'受欢迎' ）逐渐开始工作地渗透到结构社会中，正在发挥在室外宴会场合或特殊功能（如： （ Handel的水上音乐） ，或作为一个奇观，在形式的歌剧。 On a purely domestic level, every wealthy lady would have a spinet to play, and at meal-times the large and rich houses would employ musicians to play what was popularly called Tafelmusik in Germany, of which Telemann was perhaps the most famous composer.对纯粹的国内层面，每一个有钱的夫人将有spinet发挥，并在饭后倍大国和富国房子将聘请音乐家，以发挥什么深受所谓tafelmusik在德国，其中telemann也许是最有名的作曲家。

Of the many 17th century composers who paved the way for this popular explosion of 'classical' music, the following were outstanding: Monteverdi , Corelli , Alessandro Scarlatti, Schutz, Buxtehude, Purcell and Lully.在众多的17世纪作曲家的人铺平了道路，为这个热门爆炸的'古典音乐，有以下几个悬而未决： 蒙特威尔第 ， corelli ，亚历山德罗斯卡拉蒂，舒茨， buxtehude ，裴熙亮和lully 。 Yet, the most popular composers of the period, indeed those who seem to define by their very names the sound of Baroque music at its most colourful and sophisticated are Johann Sebastian Bach, Handel, Telemann, Rameau, Fran?ois Couperin , Domenico Scarlatti, and Vivaldi, all of them at their creative peak during the first half of the 18th century.不过，最受欢迎的作曲家此期间，有些人似乎界定，以他们名字的声音巴洛克音乐在其最多姿多彩和精密的是约翰塞巴斯蒂安巴赫， （ Handel ， telemann ，拉摩， 弗朗索瓦couperin ， （ Domenico斯卡拉蒂，韦华，他们都在自己的创作高峰期在上半年的18世纪。

Classical (c.1750 - c.1830) 古典（ c.1750 -c .1830）

The Baroque era witnessed the creation of a number of musical genres which would maintain a hold on composition for years to come, yet it was the Classical period which saw the introduction of a form which has dominated instrumental composition to the present day: sonata form.巴洛克时代的见证设立了许多音乐流派，其中将维持持有组合今后几年，但它是古典时期，其中看到了开征某种形式，其中有乐器为主组成的，以本日：奏鸣曲形式。 With it came the development of the modern concerto, symphony, sonata, trio and quartet to a new peak of structural and expressive refinement.与它来发展现代协奏曲，交响曲，奏鸣曲，三重奏及四重奏，以一个新的高峰结构性和表现力细化。 If Baroque music is notable for its textural intricacy, then the Classical period is characterised by a near-obsession with structural clarity.如果巴洛克音乐是显着，其构造复杂性，那么，古典时期的特点是一个近痴迷结构清晰。

The seeds of the Classical age were sown by a number of composers whose names are now largely forgotten such as Schobert and Honnauer (both Germans largely active in Paris), as well as more historically respected names, including Gluck, Boccherini and at least three of Johann Sebastian Bach's sons: Carl Phillip Emmanuel, Wilhelm Friedmann and Johann Christian (the so-called 'London' Bach).种子的古典时代播下了由多个作曲家的名字，现在基本上被遗忘，如朔贝特和honnauer （均德国人，主要活跃于巴黎） ，以及更尊重历史地名，包括格鲁克， boccherini和至少3名约翰塞巴斯蒂安巴赫的儿子：卡尔菲利普灵光，威廉弗里德曼和约翰基督教（即所谓『伦敦』巴赫） 。 They were representative of a period which is variously described as rococo or galante, the former implying a gradual move away from the artifice of the High Baroque, the latter an entirely novel style based on symmetry and sensibility, which came to dominate the music of the latter half of the 18th century through two composers of extraordinary significance: Joseph Haydn and Wolfgang Amadeus Mozart .他们分别代表的一个时期，这是各种形容为洛可可或加兰特，前者暗示逐渐迁离从手腕的高级巴洛克式，而后者是一个完全新颖的风格基础上的对称性和感性，来主宰音乐的下半年， 18世纪两个作曲家有着非同寻常的意义： 约瑟夫海顿和沃尔夫冈Amadeus的莫扎特 。

Early Romantic (c.1830 - c.1860) 早期浪漫（ c.1830 -c .1860）

As the Classical period reached its zenith, it was becoming increasing clear (especially with the late works of Beethoven and Schubert) that the amount and intensity of expression composers were seeking to achieve was beginning to go beyond that which a Classically sized/designed orchestra/piano could possibly encompass.作为古典时期达到了顶点，它正在变得越来越清晰（尤其是与已故的作品， 贝多芬和舒伯特）的数量和强度的表达作曲家正在谋求实现正开始超越了那些经典大中/设计乐团/钢琴可能不同。 The next period in musical history therefore found composers attempting to balance the expressive and the formal in music with a variety of approaches which would have left composers of any previous age utterly bewildered.今后一个时期，在音乐史，因此发现作曲家企图以平衡表现力和正规的音乐与不同的途径，将已离开的作曲家以往任何时代完全莫名其妙。 As the musical map opened up, with nationalist schools beginning to emerge, it was the search for originality and individuality of expression which began here that was to become such an over-riding obsession in the present century.作为音乐地图打开了，与民族主义者所学校开始出现，这是搜索的原创性与个性的表达，开始在这里表示，要成为这样一种压倒一切的痴迷，在本世纪。

The Romantic era was the golden age of the virtuoso, where the most fiendishly difficult music would be performed with nonchalant ease, and the most innocuous theme in a composition would be developed at great length for the enjoyment of the adoring audience.浪漫时代是黄金时代的能人，哪里最困难fiendishly音乐，将演出满不在乎的缓和，最无害的主题，在一个组合，将发展在很大篇幅为享受的崇拜观众。 The emotional range of music during this period was considerably widened, as was its harmonic vocabulary and the range and number of instruments which might be called upon to play it.情绪各类音乐，在此期间被大大拓宽，正如其谐波词汇及范围和文书的数目可能被要求发挥它。 Music often had a 'programme' or story-line attached to it, sometimes of a tragic or despairing nature, occasionally representing such natural phenomena as rivers or galloping horses.音乐往往有一种'计划'或故事，在网上重视它，有时一个悲剧性或绝望的性质，偶尔代表这种自然现象的河流或舞动的马匹。 The next hundred years would find composers either embracing whole-heartedly the ideals of Romanticism, or in some way reacting against them.未来一百年会发现作曲家要么拥抱衷心理想的浪漫主义，或以某种方式作出反应，对他们的。

Of the early Romantic composers, two Nationalists deserve special mention, the Russian Glinka (of Russlan and Ludmilla fame) and the Bohemian Smetana (composer of the popular symphonic poem Vltava or 'The Moldau').对早期浪漫主义作曲家，两个民族主义者特别值得一提，俄罗斯葛令卡（ russlan和ludmilla名利）和波希米亚美塔纳 （作曲家一项十分受欢迎的交响诗尔塔瓦或' moldau ' ） 。 However, the six leading composers of the age were undoubtedly Berlioz , Chopin , Mendelssohn , Schumann , Liszt and Verdi .然而， 6名领导作曲家的年龄无疑是柏辽兹 ， 肖邦 ， 门德尔松 ， 舒曼 ， 李斯特和威尔第 。

Late Romantic (c.1860 - c.1920) 晚浪漫（ c.1860 -c .1920）

With the honourable exceptions of Brahms and Bruckner , composers of this period shared a general tendency towards allowing their natural inspiration free rein, often pacing their compositions more in terms of their emotional content and dramatic continuity rather than organic structural growth.与这位例外勃拉姆斯和布鲁克纳 ，作曲家这一时期分担的一般倾向，让他们自然的灵感放手，往往起搏其成分更在其情感内容和具有戏剧性的延续性，而不是有机的结构性增长。 This was an era highlighted by the extraordinarily rapid appearance of the national schools, and the operatic supremacy of Verdi and Wagner .这是一个时代所强调的异常迅猛，出现了民族学校，及戏曲至高无上的威尔第和瓦格纳 。 The eventual end of Romanticism came with the fragmentation of this basic style, composers joining 'schools' of composition, each with a style that was in vogue for a short period of time.最终完的浪漫主义来支离破碎这一基本风格，作曲家加入'学校'的成分，每一种风格，那是时尚，进行了短暂的一段时间。

In order to do justice to a period so rich in famous names and compositions, this section is arranged alphabetically by country rather than composer.为了做到公正，一期有这么丰富的名牌和成分，这一节是依英文字母排列，由国家，而不是作曲家。

Bohemia波西米亚

十首经典圣诞歌英文

Christmas greetings

圣诞祝贺

Christmas shopping

圣诞采购

Christmas card

圣诞卡

reindeer

驯鹿

Christmas Eve

圣诞节前夕

Santa Claus

圣诞老人

Father Christmas

(英)圣诞老人

roast turkey

烤火鸡

sleigh bells

雪橇铃(系于雪橇或拖雪橇之鹿上的小铃)

candy

糖果

Christmas Day

圣诞节

chimney

烟囱

Christmas season

圣诞节节日

fireplace

壁炉

Christmas time

圣诞节假期 (自十二月二十四日至一月一日或一月六日)

Magi

由东方来朝见初生的耶稣的三个贤人

candle

蜡烛

candle stick

烛台

Christmas feast

圣诞大餐

package

包裹

Christmas dinner

圣诞大餐

poinsettia

圣诞红

glittering decorations

灿烂耀眼的装饰物品

Bethlehem

伯利恒(耶稣降生地)

Christmas gift

圣诞礼物

Jesus Christ

耶稣基督

Christmas present

圣诞礼物

Christ Child

圣婴

Christmas tree

圣诞树

Christmas carol

圣诞颂歌

Christmas spirit

圣诞气氛

manger

马槽

Christmas music

圣诞音乐

angel

天使

Christmas hymn

圣诞圣歌

Christmas festival

圣诞佳节

Christmas ornament

圣诞节用的 装饰物品

Christmas recess

圣诞节暂停营业、上学、工作期间

midnight mass

子夜弥撒

to hear mass

望弥撒

Christmas scene

圣诞节景象

to go caroling

报佳音

Christmas decoration

圣诞节用的装饰

tinsel

金银丝

Christmas holiday

圣诞节假期

Santa Claus

圣诞老人

evergreen garland

常青树枝编的花环

Father Christmas

(英)圣诞老人

Christmas mail

圣诞邮件

evergreen bough

常青树枝

Christmas dance

圣诞舞会

wreath

花环

Christmas pudding

圣诞布丁

red ribbon

红丝带

Christmas stocking

圣诞袜

roast turkey

烤火鸡

wrapping paper

包装纸

cranberry sauce

小红莓果酱

cellophane

玻璃纸

pumpkin pie

番瓜饼

icicle

冰柱

plum pudding

干果布丁

sleigh bells

雪橇铃(系于雪橇或拖雪橇之鹿上的小铃)

mistletoe

槲寄生(其树或枝可作圣诞节之装饰，根据圣诞习俗， 任何人皆可亲吻站在此树下的人)

twinkling electric light

闪烁的电灯泡

Constitution Day

(十二月廾五日亦为我国)行宪纪念日

colorful decorations

多采多姿的装饰

White Christmas

银色圣诞

joyful atmosphere

欢乐气氛

Christmas shopping

圣诞采购

Christmas toy

圣诞玩具

shopping madness

疯狂采购

celebrate Christmas, to

庆祝圣诞

charity center

慈善中心

求一篇 英文的圣诞节派对邀请函 初二英语作文

十首经典的英文圣诞歌推荐：《Silent Night》、《Joy to the World》、《O Holy Night》、《Carol Of The Bells》、《Jingle Bells》、《Dance Of The Sugar Plum Fairy》、《White Christmas》、《When A Child Is Born》、《The First Noe》、《Angels We Have Heard On High》。

1、《Silent Night》

《Silent Night》的中文译名为《平安夜》，是奥地利的一个小地方的小乡村教会的神父Joseph Mohr在1816年写的歌词，曲作者Franz Gruber是当地的一位默默无闻的音乐老师。据说当时是因为小教堂的管风琴坏了，所以Mohr神父要Gruber先生为他写的这首歌谱上用吉它伴奏的曲子应急。

歌谱后来由修管风琴的人带出来，外面的世界才得以知道这首歌。这首歌很快传开受人喜爱。这首歌已经几乎成为圣诞节的官方“节歌”，被译成多种文字。

2、《Joy to the World》

《Joy to the World》的中文译名为《普世欢腾》，是伊萨克·沃茨（Isaac Watts）于1719年写下的圣诞颂歌，原文本有独立的七个段落，现有的音频资料是根据原文缩编成曲的。所要传达的信息是欢乐和爱取代了罪与忧愁。这首圣诗被广泛传唱。

3、《O Holy Night》

《O Holy Night》的中文译名为《圣善夜》。这是一首著名的圣诞颂歌，该歌曲是阿道夫·亚当在1847年为法国诗歌《圣诞午夜》（Minuit，Chrétiens）谱曲而成。原诗歌的作者是一位酿酒师普拉西德·卡波（1808-1877），亦是一名诗人。

4、《Carol Of The Bells》

这首歌是一首来自乌克兰的颂歌。1914年，乌克兰作曲家Mykola Leontovych创作了这首作品，它曾被乌克兰民间作为《Shchedryk》的歌名吟唱。

5、《Jingle Bells》

这首歌是一首圣诞歌曲，在中国改变成中文版的《铃儿响叮当》。它创作于1857年，是作曲家James Lord Pierpon为父亲的学生在感恩节写的歌。

6、《Dance Of The Sugar Plum Fairy》

这首歌的中文译名为《糖果仙子之舞》，是柴可夫斯基的芭蕾舞剧《胡桃夹子》中的一段音乐。《胡桃夹子》芭蕾舞剧一直以来都是圣诞节的传统节目，老少皆宜，而且历演长久。

7、《White Christmas》

这首歌的中文译名为《白色圣诞节》，由Bing Crosby演唱，是Irving Berlin1942年作词作曲的经典曲目，它还拥有有史以来最畅销单曲的吉尼斯世界纪录。

8、《When A Child Is Born》

这首歌的中文译名为《圣婴诞生》。静谧、安详中，一个孩子诞生了，人世间自此有了曙光，展开了一个新的黎明，他就是耶稣基督。歌声平缓、悠扬的为我们讲述了那如梦似幻的幸福瞬间。

9、《The First Noe》

这首歌的中文译名为《第一首圣诞歌》。第一个圣诞，那会是怎么样的一个夜晚呢！耶稣降生，东方升起一颗新星，三位智者决心按着星星指引的方向寻觅基督，哪怕路迢迢。低沉的男声，虔敬有力，第一支圣诞颂歌即来自这千山万水的追寻。

10、《Angels We Have Heard On High》

这首歌的中文译名为《天使歌唱在高天》。圣诞节时唱的赞美诗称为“圣诞颂歌”。圣诞颂歌很多，词曲多取自名家名作，这首《天使歌唱在高天》即是其中的一首！

英语素材：圣诞节必用英文词汇

四年级 丨 杂文 丨 2000字

圣诞：thebirthdayofJesusChrist

圣诞节：Christmasday，Xm.，Xmas

圣诞歌：Christmascarol

圣诞卡：Christmascard

圣诞老人：SantaClaus

圣诞树：Christmastree

圣诞快乐：MerryChristmas

圣诞柴：yulelog(圣诞节原木形大蛋糕)

圣诞节的次日：BoxingDay

圣诞晚会：Christmasparty

圣诞节日历：menology

圣诞节前夕(12月24日)：ChristmasEve

圣诞节期：Christmastime

圣诞季节：yule，yuletide，yuletime

圣诞节快乐!MERRYCHRISTMAS!

圣诞祝贺：Christmasgreetings

圣诞采购：Christmasshopping

圣诞卡：Christmascard

驯鹿：reindeer

圣诞节前夕：ChristmasEve

糖果：candy

圣诞节：ChristmasDay

烟囱：chimney

圣诞节节日：Christmasseason

壁炉：fireplace

圣诞节假期(自十二月二十四日至一月一日或一月六日)：Christmastime

由东方来朝见初生的耶稣的三个贤人：Magi

蜡烛：candle

烛台：candlestick

圣诞大餐：Christmasfeast

包裹：package

圣诞大餐：Christmasdinner

圣诞红：poinsettia

灿烂耀眼的装饰物品：glitteringdecorations

伯利恒(耶稣降生地)：Bethlehem

圣诞礼物：Christmasgift

耶稣基督：JesusChrist

圣诞礼物：Christmaspresent

圣婴：ChristChild

圣诞树：Christmastree

圣诞颂歌：Christmascarol

圣诞气氛：Christmasspirit

马槽：manger

圣诞音乐：Christmasmusic

天使：angel

圣诞圣歌：Christmashymn

圣诞佳节：Christmasfestival

圣诞节用的装饰物品：Christmasornament

圣诞节暂停营业、上学、工作期间：Christmasrecess

子夜弥撒：midnightmass

望弥撒：tohearmass

圣诞节景象：Christmasscene

报佳音：togocaroling

圣诞节用的装饰：Christmasdecoration

金银丝：tinsel

圣诞节假期：Christmasholiday

圣诞老人：SantaClaus

常青树枝编的花环：evergreengarland

(英)圣诞老人：FatherChristmas

圣诞邮件：Christmasmail

常青树枝：evergreenbough

圣诞舞会：Christmasdance

花环：wreath

圣诞布丁：Christmaspudding

红丝带：redribbon

圣诞袜：Christmasstocking

烤火鸡：roastturkey

包装纸：wrappingpaper

小红莓果酱：cranberrysauce

玻璃纸：cellophane

番瓜饼：pumpkinpie

冰柱：icicle

干果布丁：plumpudding

雪橇铃(系于雪橇或拖雪橇之鹿上的小铃)：sleighbells

闪烁的电灯泡：twinklingelectriclight

(十二月廾五日亦为我国)行宪纪念日：ConstitutionDay

多彩多姿的装饰：colorfuldecorations

银色圣诞：WhiteChristmas

欢乐气氛：joyfulatmosphere

圣诞采购：Christmasshopping

圣诞玩具：Christmastoy

疯狂采购：shoppingmadness

庆祝圣诞：celebrateChristmas,to

慈善中心：charitycenter

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